Mike is a locksmith. He’s also a prisoner on work release, but you wouldn’t know it. He’s just trying to focus on his house calls and reconcile with his ex-girlfriend—until Margo hijacks his day. A live-wire kook, who’s certain her boyfriend is cheating on her, Margo bulldozes Mike into spying on Mike is a locksmith. He’s also a prisoner on work release, but you wouldn’t know it. He’s just trying to focus on his house calls and reconcile with his ex-girlfriend—until Margo hijacks his day. A live-wire kook, who’s certain her boyfriend is cheating on her, Margo bulldozes Mike into spying on the alleged cad. The result: an all-day adventure with a (seemingly) stolen vehicle, a visit to an unlikely drug dealer, and a low blood-sugar attack. Potential trouble follows these two around—but maybe something good will come of it?
Codirectors (and brothers) Todd and Brad Barnes infuse screwball sensibility into their version of the romantic comedy. The chemistry between the leads is crucial: Ana Reeder revels in her free-spirited, no-boundaries role and keeps Margo likeable; Anslem Richardson is perfect as her straight man. Full of jaunty dialogue and subtle charm, Homewrecker is an irresistible and impressive debut feature.
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