六七十年代另一位亚美尼亚电影大师的经典作，Henrik Malyan与Frunze Dovlatyan一起将亚美尼亚带入了现代主义电影阶段。这是一部纯亚美尼亚血统的民族传统剧，无论主创还是演员都是亚美尼亚本地人，无论故事还是主题都属于外高加索独特的影像风格。 Calm of the mountain village is disturbed by the investigation on stray sheep. Four shephards, living in Armenian highl六七十年代另一位亚美尼亚电影大师的经典作，Henrik Malyan与Frunze Dovlatyan一起将亚美尼亚带入了现代主义电影阶段。这是一部纯亚美尼亚血统的民族传统剧，无论主创还是演员都是亚美尼亚本地人，无论故事还是主题都属于外高加索独特的影像风格。
Calm of the mountain village is disturbed by the investigation on stray sheep. Four shephards, living in Armenian highlands, cut a stray sheep for a dinner. Revaz, their neighbour and owner of the sheep, soon appears. Shephards even manage to agree on "ransom" but novice police lieutenant interferes with the deal trying to start an official investigation.
http://en.wikipedia.org/wiki/We_and_Our_Mountains
http://en.wikipedia.org/wiki/Henrik_Malyan
http://groong.usc.edu/tcc/tcc-20011112.html
Henrik Sureni Malyan (September 30, 1925 – March 14, 1988) was a Soviet Armenian film director and writer.
He was born in Telavi, Georgia. From 1942-1945 he worked as a draftsman and designer at a factory in Tbilisi. In 1951 he concluded studies in film direction from the Yerevan Theatre Institute. Between 1951 and 1954, he was a director at various theaters in Armenia. In 1953, he graduated from the Moscow Theatre Institute. From 1954 on he worked with the film studio Armenfilm.
His 1977 film Life Triumphs (Nahapet) is considered to be one of the most important Armenian films to deal with the Armenian Genocide. It was exhibited in the 1978 Cannes Film Festival.
In 1980 he founded the Henrik Malyan Theatre-Studio for stage works.
In 1982 he was named a People's Artist of the USSR.
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